Yui on the street in Harajuku wearing a handmade tie dye denim jacket over a “Are We Having Fun Yet” crop top, tie dye denim shorts, painted knee socks, sneakers, a round handbag, and colorful accessories. Full Look
Mr. Rogers had an intentional manner of speaking to children, which his writers called “Freddish”. There were nine steps for translating into Freddish:
“State the idea you wish to express as clearly as possible, and in terms preschoolers can understand.” Example: It is dangerous to play in the street.
“Rephrase in a positive manner,” as in It is good to play where it is safe.
“Rephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.” As in, “Ask your parents where it is safe to play.”
“Rephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.” In the example, that’d mean getting rid of “ask”: Your parents will tell you where it is safe to play.
“Rephrase any element that suggests certainty.” That’d be “will”: Your parents can tell you where it is safe to play.
“Rephrase your idea to eliminate any element that may not apply to all children.” Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
“Add a simple motivational idea that gives preschoolers a reason to follow your advice.” Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
“Rephrase your new statement, repeating the first step.” “Good” represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
“Rephrase your idea a final time, relating it to some phase of development a preschooler can understand.” Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.
Rogers brought this level of care and attention not just to granular
details and phrasings, but the bigger messages his show would send.
Hedda Sharapan, one of the staff members at Fred Rogers’s production
company, Family Communications, Inc., recalls Rogers once halted taping
of a show when a cast member told the puppet Henrietta Pussycat not to
cry; he interrupted shooting to make it clear that his show would never
suggest to children that they not cry.
In working on the show,
Rogers interacted extensively with academic researchers. Daniel R.
Anderson, a psychologist formerly at the University of Massachusetts who
worked as an advisor for the show, remembered a speaking trip to
Germany at which some members of an academic audience raised questions
about Rogers’s direct approach on television. They were concerned that
it could lead to false expectations from children of personal support
from a televised figure. Anderson was impressed with the depth of
Rogers’s reaction, and with the fact that he went back to production
carefully screening scripts for any hint of language that could confuse
children in that way.
In fact, Freddish and Rogers’s philosophy of
child development is actually derived from some of the leading
20th-century scholars of the subject. In the 1950s, Rogers, already well
known for a previous children’s TV program, was pursuing a graduate
degree at The Pittsburgh Theological Seminary when a teacher there
recommended he also study under the child-development expert Margaret
McFarland at the University of Pittsburgh. There he was exposed to the
theories of legendary faculty, including McFarland, Benjamin Spock, Erik
Erikson, and T. Berry Brazelton. Rogers learned the highest standards
in this emerging academic field, and he applied them to his program for
almost half a century.
This is one of the reasons Rogers was so
particular about the writing on his show. “I spent hours talking with
Fred and taking notes,” says Greenwald, “then hours talking with
Margaret McFarland before I went off and wrote the scripts. Then Fred
made them better.” As simple as Mister Rogers’ Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.
I’m so jealous of bears bc they can nap wherever they want and not a single thing is going to bother them. If you see a bear napping, if another animal sees a grizzly just conked the hell out in the middle of a field or by a pond or something, everyone avoids the bear. The worst thing that could happen is waking up the bear.
I want my naps to demand that kind of fear, that level of reverence.
This year has made me reconsider very much how I focus and distribute my energy on all my passions and obssesions. One of the many things that I put a lot into is the internet. It’s been awesome to see how the internet is constantly evolving. The 2000s were probably its best moment, and then this decade has been its decline… there is now so much information being put into and passed around at such speed that it is impossible for any of us to keep up with what we actually want to see anymore. Then the ads, fuck, that shit is just so over the top now. It’s as bad as TV. I hate being a brand and contributing to that consumerist pollution. I’m also done with trying to connect with friends and colleagues through social media and somehow ending up feeling weird and lonely instead. So I stopped using facebook, stopped checking to see who likes my posts on instagram, and now I want to stop using tumblr and twitter.
This may sound stupid but I am really tired of running a succesful business. I want to do something else now. I can’t just close Gatosaurio right now, but I am planning on simplifying it a lot for July. So if you’ve been wanting to get something, get it, cus it might not be available next month. I’ll still be spamming you here for the coming weeks, but once I change the shop in July for good, I’m not going to use tumblr anymore. I don’t want to be directing any more of my energy into promoting the shop anymore. I’m figuring out something else so that I don’t need to depend on it solely for my survival… I mean, I’m never going to stop drawing and making shit, I just don’t want to be “a brand” anymore! I’m really excited about Fantagraphics releasing my Alienation “graphic novel” next year and I have this other two ideas that I really need to get working on, so also my motivation to take a step back from the business is so I can dedicate more time and energy into my comics.
So, yeah, I just wanted to share that with you and also tell you THANK YOU… for reading this, for your support, for buying my stuff, for reblogging my posts, everything. If it wasn’t for YOU I wouldn’t be making a living out of what I do and every day I think about that and I am so grateful. But now I need to go and do other things. I hope you are also finding your way to living your truths…